亂葬墳的夏日午後

A Summer Afternoon on the burial mound

拍攝於彰化的一處亂葬墳，以失感的身體在荒蕪的無名者骨骸旁作畫，在這如同幻境般與現實斷裂的空間，想像失去身體後，容器的樣態、精神的去往。這段行動既是對死亡後精神殘響的召喚，也是一場對肉身作為感知容器的告別、一場超越肉身、言語的對話，以及對於死亡的感知轉變。拍攝於彰化的一處亂葬墳，以失感的身體在荒蕪的無名者骨骸旁作畫，在這如同幻境般與現實斷裂的空間，想像失去身體後，容器的樣態、精神的去往。這段行動既是對死亡後精神殘響的召喚，也是一場對肉身作為感知容器的告別、一場超越肉身、言語的對話，以及對於死亡的感知轉變。

The video was filmed at a desolate burial mound in Changhua. With a sense-deprived body, the artist painted by the bones of the nameless dead. In this space-disconnected from reality and resembling a dreamscape, they imagine the state of the vessel and the journey of the spirit after the body is lost. This act serves both a summons to the lingering echoes of the spirit after death and as a farewell to the body as a vessel of perception. It is a dialogue that transcends the physical body and language, marking a shift in the perception of death.